Sunday, March 06, 2005

Purgatory: Canto 27, The Wall of Fire

Pilgrims, we arrive at Virgil's last lucid expressions within which he confirms Dante as Lord of himself, completing the work he began on the shore when he baptized Dante with the dew and wrapped around his waist a green cord representative of the hope that Purgatory has -- something not found in hell and not needed in heaven. Dante's confirmation ceremony begins in fire as he is prompted by Virgil to walk through the wall of flame separating the seventh cornice from the terrestrial paradise where our first parents found themselves autochthonously generated by the anthropomorphized hand of God. To get Dante through this fire, Virgil has to exhort him greatly to shed his fear and accept the purifying flames as an instance of his being -- not on Geryon's back did Virgil place him in harm's way, he reminds Dante, so how less likely is he to do so now that they are within sight of God. The problem for us readers, though, is that we know Virgil's time with us is coming to an end -- Virgil, who has guided us almost two-thirds of the way through this Comedy, will explain that his role has come to an end following his understanding that Dante no longer needs him. He will remain with us for a little while longer, but he will be receding into the background until he disappears forever.



Pope explains that "all the good that individuals find,/ Or God and Nature meant to mere mankind,/ Reason's whole pleasure, all the joys of sense,/ Lie in three words, health, peace, and competence." Dante discovers all of these when he steps through the flame, and Virgil proudly and humbly confirms Dante as master of himself. This poses a problem for us who have traveled for so long with Virgil at our side, for we've come to rely on his interpretive support on the most practical of levels. Every time we have a question, Virgil has been there to answer it even though he has told us on more than one occasion that his answers are only partial and that we have to await Beatrice's arrival for answers to others that still linger in our thoughts. Grace is what now governs our travels, not reason in exclusion of grace, and we might define grace more narrowly and variedly than we have in the past since it is of such importance to our continued journey through the terrestrial paradise and onward to God. The Catechism of the Catholic Church has the following points on the idea:

Grace
actual, 2000, 2024
of Baptism, 1262-74, 1308
charisms as, 799, 951, 2003, 2024
death of Christ as a source of, 1407
definition and significance of, 1996-2000, 2003, 2005, 2017
dying in God's, 1023, 1030
of final perseverance, 2016
freedom and, 1742, 2022
as a gift from Christ, 388, 957
as a gift from God, 35, 54, 1999, 2008
graces of state, 2004
habitual, 2000
of Holy Orders, 1585-89
Mary "full of grace," 411, 490-91, 493, 722
merit and, 1708, 2008-09, 2011, 2025-27
New Law called the law of, 1972

original, 375-76, 399
prayer as a gift of, 2713, 2725
refusal and privation of, 412, 679, 1861
of the sacrament of Matrimony, 1615, 1641-42
sanctifying, 824, 1266, 1999, 2000, 2023-24
special, 1527, 2014
state of, 1310, 1319, 1415, 1861
virtue and, 1810-11, 2825
See also Life: new life as divine life


effects of
        building up of the Church, 798
        chastity, 2345
        contrition, 1453
        conversion, 1432, 1989
        faith, 153-55, 158, 424, 684, 1098, 1102
        filial adoption, 654, 1212, 2009
        forgiveness of sins, 277, 1263, 1708, 1987, 1989, 2023
        gift of the theological virtues and gifts of the Holy Spirit, also the virtue of merit, 1266
        good and holy life, 409, 1889, 2082, 2541
        holiness, 824, 2023
        justification, 1987, 1989, 1992, 2018-20
        knowledge of the truth, 1960

        new dignity, 1701
        salvation and eternal life, 265, 836, 1697

        union with Christ, 737

receiving

        disposition for, 1446, 1848
        preparation for, 2001, 2022
        (see also Sacrament(s))


thanksgiving
        Eucharist as, 1328, 1358, 1360
        hallowing God's name - i.e., recognizing it as holy, 2807

        Holy Spirit who inspires, 1103
        Jesus' thanksgiving to the Father, 2603-04
        life as, 2062
        necessity of giving thanks to God, 224, 795, 983, 1167, 1333, 2781
        occasions for giving thanks, 2638

        prayer of, 1352, 1359-60, 2637-38

The upshot, if you read through all of these links, is that grace is the activity of God within the human person. Statius had that activity while Virgil did not, and it is for this reason that Virgil must let go of Dante so that Dante can continue where reason would have no place and must remain mute in the presence of grace. The desire for this presence is something the Dante of La Vita Nuova has felt stir within him time and time again in his thoughts on Beatrice, for he writes to the memory of the gracious lady who saw him weep for her that he "cannot keep [his] devastated eyes from looking ever and again at [her] because of the desire they have to weep; and [she] intensif[ies] their longing so that they consume themselves in helpless yearning, for, in [her] presence, they cannot weep tears." This grace that works within us, then, is a gift to all of us even though it is often inspired and kindled from outside, and we must use it as a way in which to engage in faith, which is an active response to divine revelation. That Dante can see the workings of God within him through the compassion of another person, a compassion towards the wretched like St. Louise de Marillac showed to the poor, is a part of his healing process.

S.

11 Comments:

At 4:38 PM, Blogger Fr. Earl Meyer said...

The images of Leah and Rachel for the active and contemplative life is helpful. But it is a new thought for me. Martha and Mary are the symbols I am accustomed to. Am I too narrow scripturally? Is the Leah and Rachel paradigm familiar to any of you?

Is this fire the only punishment that DAnte suffers on his journey? If so does it mean that he is admitting guilt of lust? Certainly not for Beatrice! Or is this the final culmination of all purgation in purgatory?

 
At 6:11 PM, Blogger Sebastian Mahfood said...

Fr. Earl, Ciardi writes on page 525 of his translation the following about Leah and Rachel:

"Many authors before Dante had interpreted them as representing the Active and the Contemplative Life of the Soul. Leah's white hands symbolize the Active Life, as Rachel's eyes symbolize the Contemplative Life."

Beyond that, Ciardi is mute. The reason for Leah and Rachel likely has to do with the nature of prophecy, since Dante's dreams are prophetic, which was an Old Testament phenomenon -- beyond Christ, we have no need of prophets (don't tell this to the Muslims) for Christ is the final word. Mary and Martha are the New Testament equivalents, but neither is connected with prophecy though both claim to believe at the tomb of Lazarus.

I'll send the question to Fr. Dougherty, who teaches both Old and New, and see how else we might respond to this insight.

S.

 
At 12:23 PM, Blogger Sebastian Mahfood said...

This just in from a fellow Franciscan, Fr. Earl:

"Dear Sebastian:

The "allegorical exegesis," quite the rage at the time of Dante, would have permitted him to "read into" OT figures with impunity. I had never heard of Leah and Rachel as symbols of the active and contemplative life-styles respectively, however, as the "eyes" were always, throughout S. Scripture linking to contemplation (as, e.g., the "Beatific Vision"), there is a consistency here. Leah was known for her "weak" or "delicate" eyes which, by definition, would not have been her forte; hence, the contemplative attitude is assigned to her sister, Rachel (cf. Gen. 29,17).

That's off the top of my head.

Please give my regards to Fr. Earl Meyer.

Doc

Fr. Damien R. Dougherty, O.F.M."

S.

 
At 11:14 PM, Blogger Romani Sum said...

A point that struck a chord with me was Virgil assuring Dante before entering the wall of fire. He is told to relinquish all fear, which seems strange, since one ought not feel fear as he grows closer to the Divine. Alas, how many times do we experience this same fear as we approach God? This fear that wells up from our self-knowledge of sins committed, and our unworthiness of forgiveness by God. Even though we shouldn't be afraid, we still are. We are scared to cast off the sins of the past, because our sinful nature, a result of the first sin, longs for these indulgences, these self-gratifications, whatever they may be. It can, indeed, be scary when one must face the purification of God, because it means leaving behind that which we wasted so much time and energy on, had we only focused on that which would lead us to heaven, we would not fear our steps closer to God.
-Ed

 
At 8:28 AM, Blogger Fr_Martin_2B said...

Ed,
Should we not forget that one of the gifts of the spirit is a "Holy Fear of the Lord"? Perhaps awe and wonder at God's majesty should not be confused with our own temporal fears, which might be represented by the wall of fire. Exchange one fear for the other I guess.

 
At 2:23 PM, Blogger bheck said...

Walking through fire would be quite a test of will. As we can seen in lines 35 and 53, Love is what gets Dante through and helps him continue on his way. It was Love that made him want to begin this journey and it is Love that will bring him into the arms of Love. We can take that as a reminder of how important love is in our faith. Love of Christ, love of others, love for ourselves.
-Brian Hecktor

 
At 9:17 PM, Blogger Sebastian Mahfood said...

Romani Sum, Fr. Martin 2b, and Bheck, I think your concerns over this point are quite fitting -- some fires burn while others singe, but this fire meets the penitent at a level appropriate to his or her degree of purification. Dr. Sopko once told me that in Eastern Orthodoxy, all souls (even the damned) will see the face of God, but only those oriented to that vision will not be harmed by it. The fire of warmth and love to them will be a fire of burning anguish to those who enter eternity unprepared, and they, like a vampire left outside on a crisp, clear morning, will burn into oblivion given enough time.

S.

 
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